Marguerite had been a singer once. In youth she’d stood on the partition, voice thin and defiantly clear, leading a chorus of farmers and seamstresses in hymns that tasted of thyme and soot. Songs weren’t prayers for her alone; they were stitches that mended the hill when storms tore at it, the rhythms that steadied hands at harvest and soothed fevered children. Éloi had remembered only fragments: a sunrise of notes, his aunt’s hands folded like small birds, the harmonium’s bellows creaking under the weight of winter.
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