Unlike standard channel aftertouch (where pressing hard on one key affects all sounding notes), the TS-10 featured true polyphonic aftertouch. Pressing down harder on a single note in a chord would modulate only that note. When translated to Kontakt, a well-scripted instrument can map this expressiveness to modern MIDI controllers capable of MPE (MIDI Polyphonic Expression) or poly-aftertouch. Hyper-Waves and Transwaves
She found the keyboard in his studio, buried under a pile of Keyboard magazines from 1998. The TS-10 was a behemoth, a plastic-and-metal sarcophagus of 16-bit dreams. Its screen was a dim, blue-glowing LCD, and its floppy disk drive gaped open like a forgotten mouth. ensoniq ts-10 kontakt