: The horror genre has proven to be a potent and often surprising vehicle for exploring the darker, more taboo corners of the mother-son dynamic. Alfred Hitchcock’s Psycho (1960) is the foundational text here, where the deceased mother, Norma, lives on as a controlling voice in Norman Bates's psyche, leading him to murder while dressed in her clothes. As Rebecca McCallum argues in her book MUMS & SONS , Psycho is a study of how "a strained relationship between mother and son would shape a young man as he grows into adulthood". More recent horror films have continued this tradition. The Babadook uses a monster as a metaphor for a widow's unresolved grief, which poisons her relationship with her young son. Ari Aster's Hereditary takes this further, depicting a family torn apart by a demonic cult, with the mother-son bond at its center as a conduit for unimaginable tragedy.
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The most iconic mother-son relationships in fiction often function as a sanctuary. They are the last bastion of unconditional love in a cruel world. : The horror genre has proven to be