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One of the most striking scenes in the play involves the characters changing clothes frantically to assume different identities. This visual metaphor—the rapid change of costume—represents the fluidity of identity in a precarious economy. The playwright suggests that there is no "authentic" self; there is only the self that suits the moment. This is a profoundly existential theme hidden inside a knockabout comedy. The laughter becomes uncomfortable when the audience realises they are laughing at themselves—their own white lies told to bosses, spouses, and relatives. all the best 1 marathi natak full
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