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: One of the earliest and most influential models is the femme fatale , a staple of 1940s film noir. Figures like Phyllis Dietrichson in Double Indemnity (1944) used their beauty and wits to lure men into ruinous traps. This trope was a cultural reaction to women's growing independence, warning of the supposed dangers of female power. A parallel literary archetype is the predatory lesbian , exemplified by Mrs. Danvers in Rebecca (1938) and the vampire in Sheridan Le Fanu's Carmilla (1872), who channeled societal anxieties about female homosexuality into monstrous figures whose very existence was a threat. When users append "Best," they are looking for