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Ullal’s career began not in photojournalism but in the film industry, where he trained as a cameraman at the Motion Picture Arts Academy in Mumbai. During the 1950s, he worked on films like Dayara , Mehmaan , and Vachan while supplementing his income by photographing film stars such as Meena Kumari on set and selling the images. He later joined The Times of India as a cameraman, an experience that honed his skills and prepared him for the international stage.

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