Taboo I-ii-iii-iv -1979-1985- ((top)) [Original]

The period between 1979 and 1985 represents a unique window where adult filmmakers took themselves seriously as filmmakers. The Taboo series stands as a monument to that ambition—proving that you could push the boundaries of morality while still maintaining a standard of quality.

Often regarded as the "classic" of the genre. It focuses on Barbara Scott (Kay Parker) and her growing attraction to her son. Reviews highlight Kay Parker's Taboo I-II-III-IV -1979-1985-

Let’s break down the era of Taboo .

Taboo II introduces the concept of "generational corruption." It is a bleaker film. The 1979 original had a tragic romance feel; the 1982 sequel feels like a case study in family dysfunction. Kirdy Stevens leaned hard into the taboo of Taboo : if it happened once, can it happen again in a different configuration? The period between 1979 and 1985 represents a

The broader and its influence on mainstream independent cinema. Share public link It focuses on Barbara Scott (Kay Parker) and

As Barbara grapples with her newfound desires, a more dangerous temptation emerges at home. Her son Paul, while dating the vivacious Sherry (Dorothy LeMay), has become increasingly aware of his mother as a sexual being. The tension culminates one night when Barbara, returning home from a failed date filled with unfulfilled lust, sees her son naked and asleep. In a moment that defines the film, she gently caresses him, initiating a passionate sexual encounter. The scene is explicit but also dramatically loaded, aiming to portray the emotional confusion rather than just the physical act.