Enter The Void -2009- [NEW]

: The structure mirrors the soul's journey through the "Bardo" before reincarnation.

If one still from defines it, it is the overhead shot of Tokyo at night: a grid of blood-red and electric-blue neon, pulsating like a living organism. Noé worked with cinematographer Benoît Debie to push digital video to its absolute breaking point. enter the void -2009-

The film opens with an extended sequence shot entirely from Oscar’s eyes. We see the world exactly as he sees it: the flicker of his eyelids, the blurry edges of his drug-induced visions, the shaky movements of his walk. This diegetic first-person POV is rarely sustained in cinema beyond short sequences, but Noé uses it to force an uncomfortable intimacy. After Oscar’s death, the camera is liberated. It becomes a "God’s eye view," floating above the city, able to fly through walls and zoom into microscopic spaces (such as a gunshot wound or a fallopian tube). : The structure mirrors the soul's journey through