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Class warfare was a dominant theme. Masterpieces like Awara (1951) and Pyaasa (1957) juxtaposed romance against societal inequality. By the 1960s and 1970s, the "rich girl, poor boy" trope became a staple. Relationships were defined by sacrifice, yearning, and the inevitable confrontation with a stern, wealthy father.
"Bollywood" is more than just a film industry; it is a massive cultural export that defines Indian identity for millions worldwide. Because of its global reach, the term is frequently used in digital spaces to drive
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