If Barry Lyndon is remembered for one thing, it is the cinematography. Kubrick, a notorious perfectionist, wanted to film the interior scenes using only natural light to capture the authentic look of the 18th century. To achieve this, he utilized lenses developed by Zeiss for NASA (specifically the f/0.7 lens), which allowed him to shoot by candlelight.
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The primary reason cinephiles seek out the full film of Barry Lyndon is its groundbreaking cinematography. Kubrick and his director of photography, John Alcott, wanted the film to look exactly like 18th-century paintings by artists like Thomas Gainsborough and William Hogarth. If Barry Lyndon is remembered for one thing,