Tweaking a single keyframe requires double-clicking into a pre-comp, making the change, and jumping back.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.
To help me tailor more advanced motion design tips for you, let me know:
The script's flagship feature allows you to create logical groups of layers directly within your composition. You can collapse and expand these groups, parent them to a group header, solo them, lock them, and even create sub-groups. This simple but revolutionary feature alone saves hours of hunting through endless layer stacks.
In standard After Effects, applying a track matte or an adjustment layer to a specific set of layers requires pre-composing them or duplicating the matte layer multiple times. Workflower introduces . You can apply a matte or an adjustment layer to a Workflower group header, and it will automatically apply to every layer within that group, saving massive amounts of time and computing power. 3. Parent and Transform Entire Groups
Apply effects to selected layers only.
To organize a project natively, artists are forced to use . While Pre-comps are necessary for rendering pipelines and effects tracking, using them solely for organization introduces several workflow issues: